By Ignacio Infante
After Translation examines from a transnational point of view a number of the ways that translation enables the move of recent poetry and poetics around the Atlantic. It rethinks the theoretical paradigm of Anglo-American “modernism” in accordance with the transnational, interlingual, and transhistorical good points of the paintings of key glossy poets writing on each side of the Atlantic— specifically, the Portuguese Fernando Pessoa; the Chilean Vicente Huidobro; the Spaniard Federico Garcia Lorca; the San Francisco–based poets Jack Spicer, Robert Duncan, and Robin Blaser; the Barbadian Kamau Brathwaite; and the Brazilian brothers Haroldo and Augusto de Campos.
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